© » KADIST
Julieta Aranda
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization. The images show the diversity of forms of life on earth. These forms are associated with texts that relay a form of propaganda.
© » KADIST
Doug Aitken
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009. In this film, Aiken’s allusion to “the frontier” and iconic imagery like the cowboy suggest that the American West Coast as a cultural construction. These notions are reinforced by two key elements in the film: its protagonist, the iconic West Coast artist Ed Ruscha, and its reference to the cinematic and the experience of the movie theater.
© » KADIST
Pak Sheung Chuen
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials. One of the nine parts of this work is Page 22 (Half Folded Library) , a site-specific installation for which Pak covertly folded dog-ears on page 22 of every second book (a total of approximately 15,500 books) in the 58th Street Branch Library in Manhattan. By claiming it as a “solo exhibition,” Pak intentionally turned a public institution into a private and personal museum where his works are more or less a “permanent collection.” Being open-ended as far as further interpretation (or not) by readers who encounter the folded pages, the project tests the political and social potential of personal gestures in the public realm.
© » KADIST
Valeska Soares
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning. With copper wire stretched out across the room like a clothesline, Valeska Soares’ La Ligne du Temps creates a timeline out of fluttering, old book pages. Read upon the pages of this delicately wrought installation are linguistic approaches to time and its phenomonologies.
© » KADIST
Mauricio Ancalmo
War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist. In their monochrome simplicity — some white, some black, one red — they bring to mind Rauschenberg’s minimalist paintings from the 50’s; the shape and repetitive figuration bring to mind Jasper John’s later flag paintings. Modifications to the blank leader – holes, letters, random dots and dashes – were created by the machinations of previous Ancalmo pieces.
© » KADIST
Nicolás Consuegra
Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist. Consuegra’s mirrored Colombia is similar to an earlier version, made to be show opposite a mirror of the United States. Whether reflecting his two homes within one another (Consuegra studied in the US and has made several works about this experience of living in exile from his homeland), or simply reflecting its surroundings, Colombia is a simple yet evocative work about the identity of a nation, and the things that we project—really and metaphorically—onto its form.
© » KADIST
Heman Chong
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096. Yet Chong photographed these public spaces (shopping centers, museums, MRT stations and schools) between 2004 and 2010. Calendars continues Hong’s conceptual investigation of the intersections between time, space and situation.
© » KADIST
Runo Lagomarsino
Drawing & Print (Drawing & Print)
On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages. The work’s connection to Amazon deforestation is difficult to ignore. Yet still, it also engages in broader issues about the country’s fractures, such as the 2018 fire at Rio de Janeiro’s National Museum and the ongoing erasure of its past.
© » KADIST
Hiraki Sawa
Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled. Interiors of a Victorian doll’s house, a rippled seascape, a palm tree forest, and a gravel seashore are superimposed, morphing into each other. The hermetic narrative is charged with psychological and mythological aspects.
© » KADIST
Runo Lagomarsino
Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video. It features a single shot of a vintage postcard depicting the Columbus Monument and the port of Barcelona, both of which are linked to colonial histories and historical trajectories. The sea is an unnaturally bright blue.
© » KADIST
Nicolás Consuegra
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community. An important town during the colonial era as the main port on the Magdalena River, Honda is presently rife with poverty, unemployment, and environmental deterioration. Here he produced the work Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks) , a variable arrangement of cut glasses in front of a mirror so that they appear whole.
© » KADIST
Nicolás Consuegra
In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision. As a metaphor for this process, he looks to the afterlife of the image as evidenced in signs. When a company goes out of business or moves, their sign often lingers and slowly fades creating a ghosted image of their sojourn.
© » KADIST
Heman Chong
With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006. Entitled “Bibliography (1): The Lonely Ones,” the list outlines representations of solitude that has been imposed on individuals or communities. Chong divides these archetypes into three over-arching notions: the Hide-away, the Castaway and the Prisoner.
© » KADIST
Clarissa Tossin
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry. When his rubber trees died from disease and his primarily indigenous workforce revolted, his enterprise went busts within a few short years. Ford never faulted his own planning, but instead blamed the “inhospitable” Brazilian landscape.
© » KADIST
Clarissa Tossin
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture. By re-appropriating the structure as a temple and imbuing it with a dance performance based on movements and postures found in ancient pottery and murals, the choreography takes its influence from the house’s design and the body positions on ancient Maya ceramics and buildings. A pulse, breathing, and a pre-Columbian clay flute are among the sounds on the soundtrack.
© » KADIST
Allan McCollum
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium. The Glossies are drawings, rectangular forms applied with blank ink and watercolors, which fill up the sheets parallel to the edges except for a small margin. Finally, the whole paper is covered with an adhesive plastic laminate, which gives it the shiny surface of a photograph.
© » KADIST
Erika Verzutti
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.
© » KADIST
Pak Sheung Chuen
Drawing & Print (Drawing & Print)
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement. These drawings were created during the trial of political activists pursued by the government that the artist would regularly attend. During the tribunal, the artist would let his pen slide freely across his notebook, replicating the automatic drawing techniques of the surrealists.
© » KADIST
Cerith Wyn Evans
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other. Gonzales-Torres’ original work was a personal allusion to his own partner’s increasingly debilitating HIV-related illness, which grapples with the existential tension of coexistence in the face of death. Cerith Wyn Evans’s piece takes the same concept, and adds a third clock, moving from the intimacy of a monogamous relationship to suggest a more expansive, or possibly polyamorous alternative.
© » KADIST
Marc Nagtzaam
Drawing & Print (Drawing & Print)
Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines. The artist uses abstract architectural elements that he reproduces on the wall in which he inserts drawings, elements from photographs and drawings of texts collected from art magazines. The repetition, control and imperfection of the movements create a tension, a particular vibration in his geometrical drawings and in the drawings of texts.
© » KADIST
Christian Salablanca
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama. One of them revolved around a plant that had various uses, from healing poisonous snake bites to predicting the future. She said, for example, that if one came across this plant during a period of drought, it could mean trouble was coming.
© » KADIST
Jonas Staal
Jonas Staal’s installation is based on the thesis written by Fleur Agema and titled “Closed Architecture”. The paper, written by the second most important person of Geert Wilderds’ Freedom Party, concerns an ambitious model for a new prison that focuses on the reconditioning of prisoners by means of four phases. Staal’s work is developed through a book, a plan and a 3d virtual tour in the social imagery of a current minister of the State of the Netherlands.
© » KADIST
Annette Kelm
Drawing & Print (Drawing & Print)
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments. For some, it’s also an opportunity to have desperately needed revenue to counter the displacement of artists and preserve a city or state’s creative spirit. The work, with its serial repetition of percentage signs across six separate bright red panels, appears as splashy retail signage for no apparent sale.
© » KADIST
Yan Xing
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
© » KADIST
Native Art Department International
The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions. This work by Native Art Department International signals a reminder that we–the audience and institution–are located on and occupy traditional territories. The work appropriates and twists white artist Sam Durant’s You Are On Indian Land Show Some Respect (2008) in response to his work Scaffold (2012) installed in 2016-7 at the Walker Art Center in Minneapolis.
© » KADIST
Martine Syms
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas. Syms’s 4-channel installation follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of view, clips borrowed from TV, as well as layers of comedy, fiction, reality, and critique, Syms’ work also delves into issues of race, culture, and representation. For Los Angeles-based Martine Syms, popular culture, television, and the cultural histories woven through both are starting points for her interdisciplinary art practice.
© » KADIST
Gabriel Orozco
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery.
© » KADIST
Jordan Kantor
Drawing & Print (Drawing & Print)
Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs. Printed on a clear surface, the work plays with ideas of obstruction and viewing, connecting spectacular natural phenomena with contemporary art making.
© » KADIST
Kori Newkirk
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel. His photograph of this throwaway object calls back the body, and the handprint is in fact his own right hand; thus the piece can function as a self-portrait of the artist, in an ironic twist on the art historical genre.
Arseny Zhilyaev
Arseny Zhilyaev is arguably one of the most influential contemporary Russian artists of his generation...
Runo Lagomarsino
- location: Malmo, Sweden
- location: Sao Paolo, Brazil
- year born: 1977
- gender: male
- nationality: Italian-Argentine-Swedish
- home town: Sweden
Pak Sheung Chuen
- location: Hong Kong, China
- year born: 1977
- gender: male
- nationality: Chinese
- home town: Fujian, China
Heman Chong
- year born: 1977
- gender: male
- nationality: Singaporean
- home town: Muar, Malaysia
Clarissa Tossin
- location: Los Angeles, California
- year born: 1973
- gender: female
- nationality: Brazilian
- home town: Porto Alegre, Brazil
Cerith Wyn Evans
- location: London, United Kingdom
- year born: 1958
- gender: male
- nationality: British
- home town: Llanelli, United Kingdom
Diego Rivera
- location: Mexico City, Mexico
- year born: 1886
- gender: male
- nationality: Mexican
- home town: Guanajuato, Mexico
Jordan Kantor
Jordan Kantor’s artworks explore relationships between painting and photographic mediums...
Martine Syms
- location: Los Angeles, California
- year born: 1988
- gender: female
- nationality: American
- home town: Los Angeles, California
Huang Xiaopeng
Huang Xiaopeng is a video and installation artist...
Native Art Department International
Native Art Department International is a collaborative project created in 2016 and administered by Maria Hupfield and Jason Lujan...
Julieta Aranda
- location: Mexico City, Mexico
- year born: 1975
- gender: female
- nationality: Mexican
- home town: Mexico City, Mexico
Barry McGee
- location: San Francisco, California
- year born: 1966
- gender: male
- nationality: American
- home town: San Francisco, California
H.H. Lim (Hooi Hwa)
H...
Valeska Soares
- location: New York, New York
- year born: 1957
- gender: female
- nationality: Brazilian
- home town: Belo Horizonte, Brazil
Allan McCollum
- year born: 1944
- gender: male
- nationality: American
- home town: Los Angeles, California
Christian Salablanca
Costa Rican artist Christian Salablanca Díaz has developed a body of work around the phenomenon and experience of violence and the ways in which it generates, determines, and conditions history, society, and politics...
Venzha Christ
Venzha Christ produces New Media works that expand boundaries of traditional creative practices...
Doug Aitken
- year born: 1968
- gender: male
- nationality: American
- home town: Redondo Beach, California
Jonas Staal
Jonas Staal ‘s work includes interventions in public spaces, exhibitions, lectures and publications...
Mauricio Ancalmo
- year born: 1983
- gender: male
- nationality: El Salvador
Yan Xing
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Chongqing, China
Hiraki Sawa
- location: London, United Kingdom
- year born: 1977
- gender: male
- nationality: Japanese
- home town: Ishikawa, Japan
Marc Nagtzaam
1968, Helmond, the Netherlands...
Annette Kelm
- location: Stuttgart, Deutschland
- year born: 1975
- gender: female
- nationality: German
Erika Verzutti
- location: Sao Paulo, Brazil
- year born: 1971
- gender: female
- nationality: Brazilian
- home town: São Paulo, Brazil
Gabriel Orozco
- location: New York City, Paris
- location: Mexico
- year born: 1962
- gender: male
- nationality: Mexican
- home town: Jalapa, Mexico
© » SOUTH CHINA MORNING POST
this quarter (02/12/2024)
‘Dazzling moments in the everyday’ inspire Japanese artist Mika Ninagawa’s immersive installation Eternity in a Moment | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese filmmaker, photographer and visual artist Mika Ninagawa during an interview in her office in Tokyo...
© » AESTHETICA
this quarter (02/12/2024)
Aesthetica Magazine - Curator Interview: Redefining Landscape Art Curator Interview: Redefining Landscape Art “Green spaces and nature are where I find solace and comfort...
© » ART & OBJECT
this quarter (02/12/2024)
The Top Art Exhibitions of 2023 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » MODERN MET ART
about 3 months ago (02/09/2024)
15 Art Installations Inspired by the Desert Pop Up in Saudi Arabia Home / Art / Installation 15 Art Installations Inspired by the Desert Pop Up in Saudi Arabia By Jessica Stewart on February 9, 2024 “Reveries” by Rana Haddad and Pascal Hachem For the third time, the Saudi desert is being transformed into an open-air art gallery thanks to Desert X AlUla ...
© » AESTHETICA
about 3 months ago (02/09/2024)
Aesthetica Magazine - Colonial Context: Art in Conversation Colonial Context: Art in Conversation In 2021, the Royal Academy of the Arts, London, began investigating its own connections to the colonial atrocities of the British Empire...
© » AESTHETICA
about 3 months ago (02/05/2024)
Aesthetica Magazine - 5 To Know: Installation Shows 5 To Know: Installation Shows The following installations, on view across the UK and USA, stimulate the senses...
© » MODERN MET ART
about 3 months ago (02/05/2024)
Emmanuelle Moureaux’s New Work Fills a Room with Butterflies Home / Art / Installation Thousands of Colorful Butterflies Invade Shanghai Pavilion in Emmanuelle Moureaux’s Latest Installation By Regina Sienra on February 5, 2024 Photo: Daisuke Shima Architect, artist, and designer Emmanuelle Moureaux has marveled the world with her sweeping colorful installations...
© » ART CENTRON
about 3 months ago (02/03/2024)
Ojuelegba Comes Alive in Emeka Ogboh's Multisensory Installation - Artcentron Home » Ojuelegba Comes Alive in Emeka Ogboh’s Multisensory Installation ART Feb 3, 2024 Ξ Leave a comment Ojuelegba Comes Alive in Emeka Ogboh’s Multisensory Installation posted by ARTCENTRON Emeka Ogboh, Ojuelegba 2023...
© » FAD MAGAZINE
about 3 months ago (01/31/2024)
Whitechapel Gallery reveal Isaac Julien as the 2024 Art Icon...
© » ARTSY
about 3 months ago (01/22/2024)
ART SG’s Sophomore Edition Highlights Singapore’s Art Market Momentum | Artsy Skip to Main Content Advertisement Art Market ART SG’s Sophomore Edition Highlights Singapore’s Art Market Momentum Payal Uttam Jan 22, 2024 7:48PM Exterior view of the Marina Bay Sands Expo and Contention Centre...
© » HYPERALLERGIC
about 4 months ago (12/18/2023)
Join Purchase College’s Creative Hub for Graduate Studies in Art Skip to content Richard & Dolly Maass Gallery installation: Lane Sell, “Navelstring” (2023), silkscreen, painting, cyanotype, and assemblage The MFA in Visual Arts at Purchase College, State of New York (SUNY), is a small, selective interdisciplinary program that fosters the artistic, intellectual, and professional growth of students through independent studio work and rigorous academic studies...
© » AESTHETICA
about 4 months ago (12/16/2023)
Aesthetica Magazine - Aesthetica Art Prize: Playing with Light Aesthetica Art Prize: Playing with Light In 1960s Los Angeles, members of the Light and Space movement – James Turrell, Mary Corse, Larry Bell, Helen Pashgian – were experimenting with how geometric space and radiant light could impact human perception...
© » OBSERVER
about 4 months ago (12/14/2023)
Why Inflatable Art Is Blowing Up in the Art Scene | Observer A Designs in Air installation in the Philadelphia Navy Yard...
© » ARTSY
about 5 months ago (12/11/2023)
The Best Public Art of 2023 | Artsy Skip to Main Content Advertisement Art The Best Public Art of 2023, according to Curators Artsy Editorial Dec 11, 2023 5:20PM Phyllida Barlow, installation view of jape, 2022–23, in “Prank” presented by Public Art Fund in City Hall Park, New York City, 2023...
© » THEARTNEWSPER
about 5 months ago (12/09/2023)
Political art stays peripheral at Art Basel in Miami Beach Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Political art stays peripheral at Art Basel in Miami Beach Fair’s stands largely remain neutral despite multiple hot-topic issues in the world today Gareth Harris and Tim Schneider 9 December 2023 Share Julie Buffalohead’s Our Bodies Our Choice , in the Meridians section, references wide-ranging injustices against Native Americans Photo: Liliana Mora Should art engage with politics or offer an escape from politics? This is the question dealers, artists and collectors have tended to face in the run-up to Art Basel in Miami Beach from its very first outing...
© » THEARTNEWSPER
about 5 months ago (12/08/2023)
Art Basel serves up a croc of gold with its reptile-themed art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Art Basel serves up a croc of gold with its reptile-themed art Mind your step: in true Floridian style, a number of works at this year’s fair take crocodiles or alligators as their subjects Alexander Morrison 8 December 2023 Share Florian Krewer, winding (2023) © Liliana Mora Florian Krewer, winding (2023), Michael Werner Gallery The New York-based artist Florian Krewer uses animal motifs to “convey emotions he could not physically put into people”, says Michael Werner Gallery’s Birte Kleemann...
© » ARTSY
about 5 months ago (12/08/2023)
The Buzziest Artists of Miami Art Week 2023 | Artsy Skip to Main Content Advertisement Art The Buzziest Artists of Miami Art Week 2023 Casey Lesser Dec 8, 2023 5:58PM Alejandro Piñeiro Bello, installation view of Tormenta Solar , 2023, at the Rubell Museum, 2023...
© » HYPERALLERGIC
about 5 months ago (12/08/2023)
University of Florida Offers a Funded MFA in Studio Art Skip to content Natalie Novak, “Levitate (ʇɐolɟ ǝǝɹɟ)” (2023), synthetic nylon tulle, fluid acrylics, gloss medium, thread, air, inflatable blowers; potions made from expired makeup pigments, lotions, shampoos, hair gel, bath bombs, vaseline, nail polish, baby oil, wax, imitation pearls, iridescent beads (photo courtesy the artist) The University of Florida (UF) offers a three-year, full-tuition, stipend-funded MFA degree ...
© » ARTSY
about 5 months ago (12/04/2023)
David Hockney lights up London with a festive art installation at Battersea Power Station...
© » MODERN MET ART
about 5 months ago (12/04/2023)
Best of 2023: Top 10 Art Installations Featured on My Modern Met Home / Art / Installation Best of 2023: Top 10 Art Installations Featured on My Modern Met By Jessica Stewart on December 4, 2023 From incredible, immersive videos to thought-provoking sculptures, the year in art installations was certainly thrilling...
© » ARTSY
about 5 months ago (11/30/2023)
How Miami Became an Art World Capital | Artsy Skip to Main Content Advertisement Art Market How Miami Became an Art World Capital Maxwell Rabb Nov 30, 2023 7:14PM Exterior view of Untitled Art Fair, 2022...
© » FLASH ART
about 6 months ago (11/10/2023)
Hortensia Herrero Art Centre Valencia | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » LENS CULTURE
about 8 months ago (08/23/2023)
Why I Make Art - Photographs by Mari Katayama | Essay by Marigold Warner | LensCulture Feature Why I Make Art Mari Katayama reflects on the roots of her intricately staged self-portraits, in which she uses her own body—often surrounded by objects and environments she has created herself—as a lens through which to reflect society...
© » HUFFINGTON POST
about 10 months ago (07/12/2023)
By the time flames were doused, all that was left of the installation by Michelangelo Pistoletto was a charred frame....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Isaac Julien’s installation at the Barnes Foundation highlights the museum’s African sculptures even as it questions the ethics of their acquisition....
© » ARTS EQUATOR
about 27 months ago (01/21/2022)
Capturing The Imagination: Art Installations at The Arts House | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Grace Baey January 21, 2022 Text and Photos by Grace Baey Amidst the line-up of events at Singapore Art Week 2022, The Arts House is currently a site for three new installation works by artists Speak Cryptic, Jason Wee and WY-TO, and the National Library Board...
© » ARTNOME
about 47 months ago (06/16/2020)
FitArt - Fitness Art Club — Artnome Menu Blog Exploring art through data using the Artnome database...
© » ARTS EQUATOR
about 52 months ago (01/22/2020)
Weekly Southeast Asia Radar: Jakarta's controversial Performance Art Club; Bangkok Art Biennale | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar 69 Performance Club January 23, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » THE RE:ART
about 86 months ago (04/08/2017)
Installation art by Şakir Gökçebağ - The re:art Installation art by Şakir Gökçebağ The art of Şakir Gökçebağ plays with one’s perception of normality and challenges any prior convention or knowledge of how things were designed to function and how they exist in the order and logic of the everyday man-made world...
© » ARTREPORT
about 100 months ago (01/28/2016)
Performance Art And Interactive Booths Take LA Art Show – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Performance Art And Interactive Booths Take LA Art Show by Christina Lee Jan 28, 2016 in Featured 0 LA Art Show 2016, Los Angeles Convention Center, Photo: Everest Share on Facebook Share on Twitter LA Art Show at the Los Angeles Convention Center...
-
1940-1949
Diego Rivera
1940In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...
-
1980-1989
Allan McCollum
1982In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
-
1990-1999
Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
-
2000-2009
H.H. Lim (Hooi Hwa)
2004Images is a two channel video work addressing the relationship between art and ritual...
Hiraki Sawa
2006Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...
Pak Sheung Chuen
2008Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Nicolás Consuegra
2008In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...
Cerith Wyn Evans
2008Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Jonas Staal
2008Jonas Staal’s installation is based on the thesis written by Fleur Agema and titled “Closed Architecture”...
Doug Aitken
2009The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
Heman Chong
2009With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...
Jordan Kantor
Drawing & Print
2009(Drawing & Print) Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs...
-
2010-2019
Mauricio Ancalmo
2010War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
Huang Xiaopeng
2011Four knives appearing as if thrown at the wall to alleviate frustration and boredom, form rhythmic shadows and markings of time above a translated phrase boldly printed in simplified Chinese and English...
Venzha Christ
2011The installation work Men from Hyperion and Women from Phoebe (2011), for examples, features six guitars mounted on steel crossbar stands and connected to one another with slack wires...
Valeska Soares
2012Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Heman Chong
2012The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
Nicolás Consuegra
2012A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
Clarissa Tossin
2012In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
Annette Kelm
Drawing & Print
2013(Drawing & Print) Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Kori Newkirk
2013LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...
Nicolás Consuegra
2014Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...
Marc Nagtzaam
Drawing & Print
2014(Drawing & Print) Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines...
Erika Verzutti
2015Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Barbad Golshiri
2015Time they stopped (Forouhars’ house, Tehran) depicts the trace of a recently stolen wall clock...
Julieta Aranda
2016The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
Martine Syms
2016Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
Clarissa Tossin
2017Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Pak Sheung Chuen
Drawing & Print
2017(Drawing & Print) The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
Native Art Department International
2018The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...
-
2020-2029
Runo Lagomarsino
Drawing & Print
2020(Drawing & Print) On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
Runo Lagomarsino
2020Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...
Christian Salablanca
2021Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama...
Anne Imhof
2021Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime...
